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Friday, November 02, 2007

Pickoff Moves

Reaction To The Torre Hiring

I have no official party line here other than that the Torre hiring makes little difference either way; managers do not swing the bat, field the balls, or pitch, and so Joe Torre is mostly superfluous to the Dodgers save to the extent that he is a salve to Frank McCourt's brittle ego. However, there is also this to it (and I hate to give Plaschke a link for any reason, but he is right in this one aspect): at 67, he's also not long for the dugout. We get to go through this all over again in a few years.

That said, the linkfest:

OT: Serialism Is For Musical Nazis (Or Not)

Serialism is the ultimate descent into meaningless musical pedantry possible: it eschews things like keys for, uh, apparent randomness. Audiences therefore took their feet and went elsewhere, quite reasonably assuming the composers thereof had lost their minds. Alex Ross, music critic for the New Yorker, recently has tried to change our minds about this with a book and a blog both named The Rest Is Noise, about the "terrifying sounds" eminating from the academic blowhards like Arnold Schoenberg. Today's Salon has a review of the book by Kevin Berger, who confesses his love of Ross as a writer. The most interesting bit, though comes from a reader letter that divulges the fact that Anton Webern was a double agent who spied for the Nazis and used his music to deliver secret messages.
"This calls into question the entire Second Viennese School of music," announced minimalist composer John Adams from his home in the Adirondack Mountains. "Ever since I first encountered compositions by Arnold Schonberg I wondered what the hell anyone ever heard in it. Now I know."
That would be neutron densities. Arnold Schoenberg (after whom UCLA's music building was named) used serialism as a means to send atomic secrets back to Nazi Germany. Bet they don't take the name off the door any time soon.

Update: It's a hoax.

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Comments:
The Webern story is incredible; I'd never heard of that before. Great post.

Next you'll be telling me the google word verification symbols are a code, too. vxjdnxgi!
 
Sadly, it's a hoax.
 
Ultimately, I think Torre's success as Dodgers manager, at least for 2008, will be largely dependent on how often he can avoid using the likes of Mark Hendrickson, the ghost of David Wells, and Esteban Loaiza in his starting rotation. He was a lot more successful in New York when he had El Duque, an under-40 Roger Clemens and an under-30 Andy Pettitte, than when he turned to the likes of Kei Igawa, Tyler Clippard and a 38-year-old Mike Mussina.
 
what's sad is that your lack of a musical ear keeps the greatness of serial music from being appreciated by you. Ross isn't my favorite writer but he does make a valid point that serialism is gaining appreciation over time. Meanwhile, criticisms such as yours sound like they came from a book called "Lexicon of Musical Invective" by Nicholas Slonimsky. Look it up sometime.
 
Oh, Felix. I've heard all the serialism I need to.
 

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