Tuesday, January 23, 2007 |
OT: Kirsten Dunst And Not-So-Ugly Betty
That, to me, is a legitimate reason to find her lacking, because her screen presence never impressed me, nor did any of her acting ability. But Long walks right over the line with this:
I don't like to get too personal on the looks front, but if you are a lead actress, you need to be sexy. Kirsten Dunst is not. The biggest role of her movie career has been playing Peter Parker's girlfriend in the Spider Men movies. When you watch a scene on the big screen and think that even Toby McGuire is slumming it, I think you need to reconsider casting your lead actress."Slumming it"? Any woman crazy enough to want to get acting jobs in a fiercely competitive place like Hollywood has to start at three sigmas above the mean in beauty, i.e., about one in a 100,000 at least. Sexy she isn't — she's too girl-next-door innocuous — but it's a long slope down from there to "slumming".
Which brought me to a recent article I happened to scan in the Register about "Ugly Betty", ABC's commentary sitcom about beauty and body image and the like. The show has been adapted from a Colombian show with a similar name (Yo soy Betty, la fea, I am Betty, the ugly); versions have been exported all over the world. And yet.
The eyebrows, the glasses, and the braces were all props. America Ferrera is one dandy looking woman, which leaves me to wonder what Long might say about Dunst if she weren't in the straightjacket of being Peter Parker's girlfriend.
As for America Ferrera, I agree with you. She's very pretty. She doesn't have a leading lady's body, but I think that's part of her charm. Though admittedly, I've never seen an episode of Ugly Betty (though I've seen her in other stuff).
Women who have unusual faces in Hollywood are an unusually short list: Sophia Loren, with her dirigible lips and unusually broad eyes -- well, there's a cornucopia of feature flaws that taken as a whole add up to a gorgeous woman. It somehow just works, but nobody thinks of her that way. You could also nominate Katharine Hepburn for that prize, her face a collection of angularities that really belonged on a man but somehow was recognizeably female.
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